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FILM WRITING/DIRECTION :
- HISTORY & THEORY OF CINEMA
- VISUAL LANGUAGE & GRAMMAR
- FILM STRUCTURE & GENRE
- SCRIPT WRITING & ANALYSIS
- CINEMATOGRAPHY FOR DIRECTOR
- EDITING, VFX, COLOR & SOUND FOR DIRECTOR
- MISE-EN-SCENE, DIALOGUE, CONTINUITY & POV EXERCISE
- WORKING WITH ACTOR & OTHER DEPARTMENT
- FILM PRODUCING, BUDGETING & ENTREPRENEURSHIP
- FILM SCREENING & APPRECIATION
- WRITE, DIRECT, PRODUCE, SHOOT & EDIT 4 FILMS
- THESIS FILM PRODUCTION
FILM ACTING :
- HISTORY & THEORY OF CINEMA
- MODERN ACTING THEORIES / MEDIUMS
- IMPROVISATION / IMAGINATION / RELAXATION
- CHARACTERIZATION PROCESS
- WORKING WITH CAMERA / TECHNIQUES
- VOICE AND SPEECH / DIALOGUE DELIVERY
- STORYTELLING AND MONOLOGUE PERFORMANCE
- DANCE / BODY MOVEMENT / THEATRE GAMES
- WORKING WITH DIRECTOR & FILM CREW
- METHODS, FORMS AND TECHNIQUES OF FILM ACTING
- FILM SCREENING & APPRECIATION
- THESIS FILM PRODUCTION
CINEMATOGRAPHY :
- HISTORY & THEORY OF CINEMA
- FILM STRUCTURE, GRAMMAR & GENRE
- PRINCIPLES OF PHOTOGRAPHY
- VISUAL LANGUAGE, TONE, COLOR & RHYTHM
- CAMERA HANDLING & OPERATING
- MOTION PICTURE PHOTOGRAPHY
- AESTHETICS OF CINEMA & ARTS
- LIGHTING TECHNIQUES & PRACTICES
- WORKING WITH FILM DIRECTOR & CREW
- EDITING & POST PRODUCTION FOR CINEMATOGRAPHER
- FILM SCREENING & APPRECIATION
- THESIS FILM PRODUCTION
VISUAL EDITING :
- HISTORY & THEORY OF CINEMA
- FILM STRUCTURE, GENRE & PHASE
- PRINCIPLE OF COLOR GRADATING
- SOUND MIXING
- DIFFERENCE BETWEEN ANIMATION & VFX
- COMPOSITION
- MATCH MOVE
- 3D ANIMATION
- SIMULATION 7 ROTOSCOPY
- MATTE PAINTING
- FILM SCREENING & CASE STUDIES
- THESIS FILM PRODUCTION
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